♀ Elisabeth Charlotte SELBIGER
Eigenschaften
| Art |
Wert |
Datum |
Ort |
Quellenangaben |
|
Name
|
Elisabeth Charlotte SELBIGER |
|
|
|
Ereignisse
| Art |
Datum |
Ort |
Quellenangaben |
|
Geburt
|
23. August 1906 |
|
|
|
Tod
|
nach 1975 |
|
|
|
Heirat
|
31. August 1940 |
Kopenhagen, Seeland, Dänemark nach diesem Ort suchen |
|
|
Heirat
|
6. November 1930 |
|
|
Ehepartner und Kinder
| Heirat |
Ehepartner |
Kinder |
31. August 1940
Kopenhagen, Seeland, Dänemark |
|
|
| Heirat |
Ehepartner |
Kinder |
6. November 1930
|
|
|
Notizen zu dieser Person
The German-born Danish harpsichordist, Liselotte [Elisabeth Charlotte Ida] Selbiger, was not destined to become a professional musician as a child. She was taught the cello and the piano so she could play chamber music together with the rest ofthe family. Her father played the violin and her mother and grandmother, the piano. Her musical upbringing allowed her to continue to play cello in the famous Berlin amateur orchestra "Arzteorchester". Among the prominent members of theorchestra was the physicist Albert Einstein, who used to sit at his music desk right behind Selbiger, playing the viola.
While playing the cello for 20 years, Liselotte Selbiger also developed her piano playing and in 1933 registered for the music teacher's exam. She passed several of the exam subjects with honors, including the mandatory assignment onornamentation in the music of J.S. Bach. It was this very assignment that decided her career. She now became so fascinated with Bach's music that she started taking lessons in harpsichord playing with Carl Bittner, a protégé of the harpsichordcelebrity in those days, Wanda Landowska, and for the rest of her life she concentrated on this instrument. Because of the War, she had to leave Germany and settled with her husband in Denmark. She continued her career until the mid-1970's, andalthough misfortune, disregard and disease affected her life and impeded the scope of her ability, she will nevertheless remain forever the person who, thanks to her strong will and artistic intelligence, ensured the harpsichord its rightfulposition in Danish musical life.
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Norbert
Selbiger
